Monday, May 29, 2017
This most-recent tryptich has a title of "Twin Towers 1, 2 and 7", an obvious and unsubtle allusion to a) the twin towers or pillars of freemasonic egyptologicae and b) 911's impossibly disintegrating steel-framed sky scrapers.
Twin Towers 1, 2 and 7 explores that self-inflicted financial-wound masquerading as a live media-event that we've all (conveniently) forgotten about in the last decade or so because Drink More Coke, Eat More Snickers... look at this global distraction, stay afraid.Vote for Leaders, because they work. Empires never fail.
The virgin white-space is relevant to the 3,000 innocents killed in the name of Global Commerce or Grand Chess Game. The third colour shows the excessive tinkering from the Intelligence Services on behalf of Profit via Patent.
You KNOW in your heart of hearts that Commerce is the REAL CANCER upon this raped and pillaged world - one day you'll warrant in a Free Planet.
Saturday, May 27, 2017
God Bless Them -- David Talbott and Wal Thornhill i.e. the Electric Universe people, go on about Saturn being our ancient bountiful sun that today's true-Sun relegated to a mere gas giant upon interstellar incursion... was there a time when BOTH Saturn and Jupiter were dual stellar-prominences in our skies? Solar twins i.e. the real Romulus and Remus of ancient Latin lore?
The vengeful and skittish stars (or Gods) that our recent ancients saw in the plasma-crazy skies appear to have been far closer to us than we see today. This video (for me) explains why the recent Sumerian Mala'Kak Engineer-language film Alien:Covenant actually contained an enigmatic field of 'bread corn' as the first discovery of Paradise.
Wednesday, May 17, 2017
this commercialism-infested planet has been the victim of two recent world wars.
One between 1912-18.
One between 1939-45.
These wars have been marketed as political, or territorial. But they weren't really. All wars are banker wars, is how it goes. Even back as far as 1812-15, when Napoleon was hurriedly building his French Empire, the bankers have been funders of and profiteers from Global Annihilation of Tribalism. They used Intelligence to tell the City of London that Waterloo had been a French victory, crashing the UK market and ensuring their own wealth.
One World Under God is the general motto of the bankers, and 'god' in this context is Profit.
So, let's go back to the most recent world war and see how humans coped, in the face of reduced imports, in the face of 'a need to feed the many'.
We did okay.
We fed our children.
We retained our identity.
Sure, we achieved this under a War Monarchy, but we proved one thing. As a nation, we are a tribal community of self-sufficiency. We can make this island work for us. We are capable of isolationalist survival. And it's something we should think about. As a leaderless revolution is imminent. What we can do, as a nation of people who will get by, that will make this world a better place.
For all living creatures.
Monday, May 15, 2017
I mean, what the heaven-mess is Darren Aronofsky's new film Mother! (starring Jennifer Lawrence and Javier Bardem) promising with a psycho-horror Gaia-sacrificial poster like this?
another classy reinterpretation of Ancient Ancestors by self-published author Ralph Ellis where he tries to find the historical figures among the tangled lies that are delivered up as religious myth...
Relevant points of interest:
Damned interesting stuff, if you ask me...
Relevant points of interest:
1) The Palestinians were (Paleset) Greeks kicked out by invading arabs
2) The Israelites refuse to admit their (Hyksos) Egyptian heritage
3) Iraq was pretty-much (Babylonian) Jewish until 1947
Damned interesting stuff, if you ask me...
Saturday, May 13, 2017
The Ganesha or Elephantine "space jockey" from Alien (1979) was described as FOSSILISED i.e. had been dead for aeons, while his egg-cargo remained in laser-protected stasis. He was embedded i.e. built into, grown into, an integral cog in the hyperspace telescope machine and he landed that 'derelict' pretty carefully on LV-426 back in the day. Tell that fucking story!
No, that's not where Prometheus went, that's not where Alien Covenant went.
First of all: DAVE OFF...
you'all know the film Face Off starring Johnny Trav and Cagey, right... no it's not even connected to that. It's basically ALL THE EVIL-TWIN FIGHTS SCENES you've ever seen in a film already. Who will win? And do we really care? And (most importantly) will we be able to identify the victor come that really important time later on in the film when Real Trust might just become a narrative issue.
Secondly: SAIL FIXING...
sure, Gravity had its boring pointless self-absorbed moments, we all agree, but did Alien:Covenant (the film that's supposedly getting us to the answer to the long-awaited question, "Why did the Elephantine Space Trucker tidy-park his cargo-hauling space-croissant on LV426 in 1979?") really just spend upwards of half an hour fixing the solar sails of the Covenant space ship?
Did I really (as a cash-paying film-goer) need to see those lethargic golden sails open up like a view of the Giza Pyramid from above? Is it my role as a paying customer to sit through such Freemasonic dull symbolic trite?
and by Paradise, I obviously mean 'the gloomy temple from long-ago ages' that David calls home. It was just all so gloomy, dank and despondent. Alien:Covenant is just dark, and by this I mean UNDERLIT in many of the scenes on the surface of Paradise (sic). Maybe it's a luminal-narrative trick - an illustration of David's personality - that he's come this low? This Lost....yeah, we get it, "Shelley is not Byron," and... damned narrative upgrades.
That was enough.
No need for Aliens' egg-laying Queen. Alien could already turn humans into facehugger pods by 'some sinister secretive process'. Everything since then has diminished and diluted the original biomechanoid concept of sexual nowness and transformation that Alien represented.
I was really waiting for the new-Xenomorph in the Covenant shower scene to somehow become like the invasive fingers-in-the-face in The Thing (1987). But more of a total-body Giger-moment where the man is quietly attacked from behind and the woman doesn't realise it's happened until 'much later in the biomech seduction scene'. The violent climatic PULLOUT would have been the couple's real 'undoing'.
I always thought the original Alien had the hellish property of being able to soften parts of itself like an Octopus to squeeze itself into those tight confines of the escape ship in the film's last reel.
Usually, having watched a good film, I come out of the cinema buzzing or morbid or paranoid or excited... something. With Alien:Covenant I came out feeling nothing. Nothing. I was actually glad to be no longer watching this film. I was out of there as soon as the credits started to roll. Years of expectation I will never get back....
Tuesday, May 09, 2017
|click to enlarge...|
Why Sexual Earthing?
Well, it goes back to my earlier claim that, "I've always been an erotic painter," and this new series of 60x42cm emulsion on canvases reinforces that. Earthing because they were created outside; barefoot, where the exchange of body electrons with Earth electrons enhances the art. It's true. Always has been. Man is a Natural Creature, not an office lackey.
Personally, I like the way either side can be dominant depending on the conditions of application and weather etc...anyway, here they are in the flesh.
BONUS MATERIALS: since the creation of this blogpost, two more sets of art in this current style have been created and I share them with you, loyal reader of the Free Planet blog. Click to enlarge...
First, the set known as Erotomania 1, 2 and 3
Second, the set known as Satan Rising 1, 2 and 3